tag:blogger.com,1999:blog-74414547937364882132024-03-13T22:05:14.746+01:00Cal.ligràficament parlant...Sobre el que faig amb la cal.ligrafia i les meves experiències entorn a la cal.ligrafia.Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-7441454793736488213.post-39457680420467797712013-06-14T16:08:00.002+02:002013-06-22T21:07:46.556+02:00RITMES, TINTES & CORDES (Rhythms, inks & strings)Ritmes, Tintes & Cordes. Girona Temps de Flors 2013. at Pati dels Amics del Museu d'Art de Girona.<br />
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On the 13th of May of 2013 I had the pleasure to perform with two good friends and musicians, Maria de Palol playing Cello, and Adrià Estarriola playing the Violin. Together, all three, we performed using the rhythm as the element in common with music and calligraphy.<br />
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The result was amazing, as experience was wonderful, in theory they were playing following my rhythm of writting, using the differents tools and rhythms, but look how deep is the music, that most time of the performance I was following them. I just let myself follow my calligraphy trough their music. was something reciprocal. Like the waves when reaches the beach, and it goes back. <br />
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We performed twice, we had one in the morning and another one at the afternoon. See how in the afternoon was everything more free.<br />
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Me and the musicians had a very nice experience and looking forward to do it again.<br />
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MORNING SESSION:</div>
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<div style="text-align: center;">
Thats all for now.<br />
<br />
Tre Calligraphy</div>
<br />
<br />
<br />Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-74740757372788731822013-03-08T18:38:00.000+01:002013-03-22T22:36:08.166+01:00Cuando los elefantes sueñan con la música<div style="text-align: center;">
CUANDO LOS ELEFANTES SUEÑAN CON LA MÚSICA</div>
<div style="text-align: center;">
<i>When the elephants dream with the music</i></div>
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<br />
Legally I had no right to paint on the wall, but morally I wasn't doing nothing wrong.<br />
<br />
I
painted the wall of a place that we rent with some friends, years ago
was a porc factory, there are other locals, young people, a music band,
and sculpture an someone who has a business buying and selling second
hand stuff.<br />
<br />
I did the graffiti one afternoon, the next
day the owner called us, asking for when are we going to paint white the
wall, like the rest of the building, actually the building is grey, has
no white.<br />
<br />
Becaause I was responsable of that, I call
him, trying to solve the problem, he gave my 3 reasons, but not a single
reason came from him.<br />
<br />
Reason 1; The building is
located in a poor area, ghetto as he said, where are located most of the
immigrants in my town, and saying that graffiti could make this area
more dirty and DANGEROUS!<br />
<br />
Reason 2; is not nice for the building, I'll attach some pictures of how "clean" is this building from outside.<br />
<br />
Reason
3: The police and the mayor could put a fine on him for the
graffiti.... far as I know, there are restrictions on colour building at
the centre areas, usually in the historic part of the town. which is
not the case, like once I asked for do a graffiti, I asked to the owner
of the house, I went to the mayor, and they just replied my telling me
that if the owner of the wall was agree, that they had no need to write a
paper for the permission.<br />
<br />
I know, but that all this
excuses make me feel angry, not a single excuse saying something like
that... sorry, but in my building I do not allow you to do it, just i
don't want paints on my walls, using THEM as an excuse.<br />
<br />
Also I must say, that this building, soon as he has the chance will sell
it, and hire us from there, destroy it and build flats. Lets have a look
at the aspect of the building;<br />
<br />
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<br />
<br />
THE POINT.<br />
<br />
One day after lunch I felt happy go somewhere to paint, using some spray paint I have and I wanted to mix it with calligraphy, nothing ready, just I wanted go to paint. and I did it, trying to find what to do, I was listening the radio, Radio 3 (rne3) the program called Cuando los elephantes sueñan con la música. This program I really like, you can listen wonderful songs, I can't define the music, most songs are from brazil and africa. <br />
<br />
I started to paint, first I wanted to do the name, but soon I saw that was going to be very big, so using the spray color like it was a pen, I did some rhythmical movements (strokes) using strong colors, and slowly, slowly, with the help of a friend, we saw that I was drawing an elephant! very abstract, but it had the form, just the head mainly we could identify.<br />
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<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Just a wanted to give some color and life to the building,</div>
<div style="text-align: center;">
as the owner still thinking the building was white.<br />
<br />
Tre Calligraphy</div>
<br />
<i><br /></i>Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-13708584908178228282013-02-26T13:38:00.002+01:002013-02-26T13:38:29.989+01:00Encuadernació / BookbindingHi there!
I don't really know if the tittle I'm using is the right one, is done using bookbinding skills, but actually I did not bind a book. Just I've covered the cover, having a personal cover for the book.
How did I reach there, talking with the costumer in that case, the costumer asked me to do a cover for a book, a happy birthday book, and she wanted to put the cover and all the pictures that she was getting from their friend for the present, in a spiral book! The idea it wasn't bad at all.
I was happy to get this comission, but If I have the chance to improve this comission why do not tell to the costumer, and actually I wasn't happy at all to see the work I had to do on spiral book.
The idea was that I was going to create the whole book, and then she will put inside the pictures and the text. But as usual, the times flyies, and she couldn't get the information (pictures and texts) of their friends, and because the time was rushing. and was not time for wait and get the pictures.
The way to solve the problem, was to get a book already done, during the conversation I used as an example my sketch book, that I've destroyed (now fixed) too see If taking out the cover from the book pages was possible to cover the cover and bind the book again. And the trial was succsesful!
So I went straight to do the work. <span style="color: #0000ee;"><u> </u></span><br />
<br />
<span style="color: #0000ee;"><u>A</u></span>nd here there is the result.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYd_AkOcoyZPQ3seGVf6PFTuGl6Yzr9rNhGUjsqyGpImUrUWUH3eUHJounLmrAD4gD14dsLM30u86QwwQS8lcy_iV7eNJH4BY4YQ1n9vKVIU9okVGLV8Cv0D9w6kuCWk8b4WcoXiVqm5zx/s1600/Tiagusti2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYd_AkOcoyZPQ3seGVf6PFTuGl6Yzr9rNhGUjsqyGpImUrUWUH3eUHJounLmrAD4gD14dsLM30u86QwwQS8lcy_iV7eNJH4BY4YQ1n9vKVIU9okVGLV8Cv0D9w6kuCWk8b4WcoXiVqm5zx/s320/Tiagusti2.jpg" height="197" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">This was the first step, I did the work, and I've attached with glue at the cover.</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEgvgJ-YBetlFLYvd6KhjbVa7kgeCQotYTEC6aXyH5h2r5xIZPh6dp0ieAwux5sG4Wa8LpG9L2bDunMkL65C4fWiJDkTTszaPgGrybiBO3Ebkqwy0D66WBCSGuzSDp6p4BpQVNvrJE9WV6/s1600/Tiagusti.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="bookbinding, encuadernació, tre calligraphy, italic script, cal·ligrafia, calligraphy, carles gonzalez, " border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEgvgJ-YBetlFLYvd6KhjbVa7kgeCQotYTEC6aXyH5h2r5xIZPh6dp0ieAwux5sG4Wa8LpG9L2bDunMkL65C4fWiJDkTTszaPgGrybiBO3Ebkqwy0D66WBCSGuzSDp6p4BpQVNvrJE9WV6/s320/Tiagusti.jpg" height="400" title="tre calligraphy" width="370" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Here once is done that's the front.</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuEomUnh0qtOArxbnHD72HaWXMCfi4gOxbzcqOi7pfs5nyDCThiadh_um0g3xrHLShbRINZdZ08QctumzuEQNOmm7mWfjW0oqTcNqq3FwM5xuvOwyh8moJy7Mk8voFAmGeyivj-pw64Xmf/s1600/Tiagusti1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="bookbinding, encuadernació, tre calligraphy, italic script, cal·ligrafia, calligraphy, carles gonzalez, " border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuEomUnh0qtOArxbnHD72HaWXMCfi4gOxbzcqOi7pfs5nyDCThiadh_um0g3xrHLShbRINZdZ08QctumzuEQNOmm7mWfjW0oqTcNqq3FwM5xuvOwyh8moJy7Mk8voFAmGeyivj-pw64Xmf/s320/Tiagusti1.jpg" height="397" title="Tre Calligraphy" width="400" /> </a></td><td style="text-align: center;"></td><td style="text-align: center;"></td><td style="text-align: center;"><br /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">...and the back! (some extra red ink my mystake....)</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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Tre Calligraphy <br />Carles González<br /></div>
Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-40027508959487759542013-02-13T10:13:00.000+01:002013-04-24T21:40:17.276+02:00Conversations about the Lettre BatardeConversations about Lettre Batarde, is a book created by Luca Bedino (<span class="short_text" id="result_box" lang="en"><span class="hps">Archivist of </span></span><br />
<span class="short_text" id="result_box" lang="en"><span class="hps">Historical Archive</span><span class=""> in Fossano) and me. Both worked on the creation of this book, but I must say, that the idea of create the book was Luca Bedino, also thanks him I had the pleasure of stay at the </span></span><span class="short_text" id="result_box" lang="en"><span class=""><span class="short_text" id="result_box" lang="en"><span class="hps">Historical Archive</span><span class=""> of Fossano studying this script, script that I've learn thanks of his knowledge about Paleography, which helped me to understand some letters that I was not available to understand, also how it was written.<br /><br />Our intention on this book, like all the books, the idea it was to share, share our knowledge, in that case about The Batarde Script. Luca Bedino did all the historical research, and me as a calligrapher the calligraphy research studying the script as my point of view as a calligrapher.</span></span> </span> </span><br />
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<b>as it is written at the book;</b> <i>"The discovery of the lettre bâtarde has occurred during my study period in Italy in the autumn of 2012, Fossano (CN), a Piedmont town rich in history. In its fourteenth-century castle is located the historical archive that preserves an enormous patrimony of documents, dating back to the Middle Ages. Among them are documents from the XV-XVI centuries, written in lettre bâtarde . These are the acts of the Dukes of Savoy, lords of the Piedmont, and municipal documents and brotherhoods. They are in Latin, most of them on vellum.<br />Initially the difficulty of the language (latin) and the newness of a script never seen before like that, frightened me, while at the same time, the energy and movement standing out from those pages fascinated me.</i><br />
<i><br /><b>Has not been easy the approaching to this script, this are my firsts steps as a calligrapher and I recognize my limits. So much was my satisfaction studying those manuscripts, that I’ve decided to divulge my experience, without any kind of pretension, however I think that this script, deserves to be known.</b>"</i><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwKi3WtetRfSon8-doHO4ewkCNkOBHHYxnbaXYm_bWu6Fa3R3b2g9EUoSuxh8N3dzb8GPVX5nx0l-hUzUSh5a0kZRE7NQBF-03pSWi0wkzpnlYQxuCpvgr9KmowPDUTe040hDKHx9JKjg/s1600/ConversationsaboutlettreBatarde.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Tre Calligraphy, Carles Gonzalez, lettre batarde, conversations about lettre batarde" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwKi3WtetRfSon8-doHO4ewkCNkOBHHYxnbaXYm_bWu6Fa3R3b2g9EUoSuxh8N3dzb8GPVX5nx0l-hUzUSh5a0kZRE7NQBF-03pSWi0wkzpnlYQxuCpvgr9KmowPDUTe040hDKHx9JKjg/s1600/ConversationsaboutlettreBatarde.jpg" height="400" title="Conversationt about the lettre batarde" width="281" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Book cover</td></tr>
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And this is what I've been questioning to myself, what it was what brought me to get involved with the calligraphy? Is not the perfection of the letters, is the movement and the joy of express through a qualilty of line.<br />
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Why has been The LettreBatarde so important for me? I had the chance to study a wonderful early gothic script,dated from early of 1300 one of the oldest documents at the <i>"archivio storico de Fossano"</i> and also gothic script is an script that I've still need to learn.<br />
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What's calligraphy for you? <b>Movement & Rhythm</b> or <b>Constancy and Perfection</b>? My answer is movement and rhythm, but I must say, that both answers belong to each other. Is the constancy and perfection which gives you the movement and the rhythm, and viceversa.<br />
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Also I would like to share with you the text, that Ewan Clayton, did as an introduction for the book, and give thanks to Ewan for his collaboration at the book.<br />
<b><br />Introduction;</b><br />
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<i>When William Morris began the revival of calligraphy in Europe in the late nineteenth century he focused on the book, calligraphy was seen as an ally of typography, calligraphers were going to help to provide new typefaces. The result was a preoccupation was with ‘bookscripts’ and for some years calligraphy was practised in Britain as a kind of elaborate handmade typography, where unity between letterforms was stressed over and above their diversity. When Rudolph Koch began his studies, he too began by looking at type, copying letters from newspapers and magazines and building his work on more recent German traditions. The result was that earlier medieval documentary (diplomatic) scripts, like the letter bâtarde, were overlooked.<br />Carles González and Luca Bedino are to be congratulated on this little book: Carles for his hours of study at Fossano and Luca for seeing his archive not only as a scholarly resource of historical material but also one that holds creative and artistic potential. The result of their collaboration is this gift to us calligraphers – images and work of vitality and calligraphic daring as we follow the quest for the spirit of bâtarde today.</i><i> </i><br />
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<i>Ewan Clayton</i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu4pkNB18LP-_gBYq0sOWZkxT_RB1_csuHcec303R29-yqv5rASpSP36BRBsBpp1PcTB7CozCAmQ5kGebhz6yXGTPWUoXq_GxBUFbl79i531t7WqU6CEfj-U4grH8uwqwZrIWho7D1ZlrU/s1600/LKJmoretime.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Tre Calligraphy, Carles Gonzalez, lettre batarde, conversations about lettre batarde" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu4pkNB18LP-_gBYq0sOWZkxT_RB1_csuHcec303R29-yqv5rASpSP36BRBsBpp1PcTB7CozCAmQ5kGebhz6yXGTPWUoXq_GxBUFbl79i531t7WqU6CEfj-U4grH8uwqwZrIWho7D1ZlrU/s1600/LKJmoretime.jpg" height="400" title="LKJ more time gestual calligraphy and batarde script" width="282" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Aplication of Lettre Batarde</i></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHos4zhp4SxejMTwnH2H7do6JEOp3XzEWuLTil5nVHLcilMoQGioJgQUj9Adag2gclQrZLXnlvXYfmVwtMu1bbdc5hhIspnPTsS_Y0LN_P0l5ak6tvxmKYU4QwvtHLa3lkjWs1cECu9x20/s1600/vollievolli.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Tre Calligraphy, Carles Gonzalez, lettre batarde, conversations about lettre batarde" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHos4zhp4SxejMTwnH2H7do6JEOp3XzEWuLTil5nVHLcilMoQGioJgQUj9Adag2gclQrZLXnlvXYfmVwtMu1bbdc5hhIspnPTsS_Y0LN_P0l5ak6tvxmKYU4QwvtHLa3lkjWs1cECu9x20/s1600/vollievolli.jpg" height="287" title="Gestual calligraphy with lettre batarde" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gestual calligraphy with lettre batarde.</td></tr>
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And special thanks to Luca Bedino, for share with me this months of learning in Fossano, and to Enrico Cassacia (CO.RE Editrice) for trust on this project, and bring it from the idea to the printer.</div>
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At the end of this book, I really wanted go to France, to compare the script, to see their origins, I'd like to have the chance to do it one day.</div>
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Carles González, Banyoles 12 Febrer del 2013.</div>
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<br />Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-18648666313905809942013-01-16T17:29:00.001+01:002013-01-29T14:54:38.082+01:00Retornar / Come back<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3RHyTjlGMkOIl9GVeW2OJ0UCv2pi2tVNinkAgI_NLLcrS_bgAtrDYOFFqAC-qPv-qapJNCXqK0OHdFNJ13l2oCWTvSymH4hB8GpFo_nPqUm0J_N-hWZGUb4RfWjKe5ttasW75LXPSnKv-/s1600/retornarr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="retornar, come back" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3RHyTjlGMkOIl9GVeW2OJ0UCv2pi2tVNinkAgI_NLLcrS_bgAtrDYOFFqAC-qPv-qapJNCXqK0OHdFNJ13l2oCWTvSymH4hB8GpFo_nPqUm0J_N-hWZGUb4RfWjKe5ttasW75LXPSnKv-/s1600/retornarr.jpg" height="240" title="Tre Calligraphy" width="640" /></a></div>
I'm back home, for nearly 4 years I've been away (coming back home for a while), During this 4 years I had lots of experiences, I grow up, and even I've learn something about calligraphy :) I have a better approach to the letters, or in composition in general, my writing has improved in the last 4 years. and this new year, it seems that is going to be a good year for show my work in my country. Barcelona on April and Girona on May. Which I'm looking forward to be there. As I've been saying back to this 4 years I've improved a lot, but now back home, I feel that I'm loosing the direction point, I became lazy. Think that when I'm outside, never happen.<br />
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Yesterday I spend 3 hours, and not finished yet, looking at pictures that I've took on the year 2008, which at that point, I even I didn't know nothing of english and even I couldn't imagine that I'll be available to speak Italian or that I was going to be in London for 2 years learning calligraphy. I was just a young boy, without any technic, no knowledge of nothing, always used to bring the camera and take picture, looking for compositions, textures or just because the beauty of it. I used to "create calligraphy" when I saw I couldn't stop to laugh! the calligraphy was extremly poor, but in that stage it was FABULOUS, like any action I was doing, had not other ending that his ending. I was just following my unconscious.I WANT IT BACK!<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQPgFsX-ePvdZpt0WBhjpthvZa1ye3SpbsA1PHJXLUBB9ZXmkT-AZWOnm6u5ldpVpaE9VHbNsxrW_t4jLkAIiMWPWkkSdnUWPgaE6QSxkeMzgczDn6mLUlyOb_SP7kaSAAmRGbf9U8WUCZ/s1600/DSC00010.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Table for calligraphy" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQPgFsX-ePvdZpt0WBhjpthvZa1ye3SpbsA1PHJXLUBB9ZXmkT-AZWOnm6u5ldpVpaE9VHbNsxrW_t4jLkAIiMWPWkkSdnUWPgaE6QSxkeMzgczDn6mLUlyOb_SP7kaSAAmRGbf9U8WUCZ/s1600/DSC00010.JPG" height="267" title="Tre Calligraphy" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Table ready for writting for my diary practise book.</td></tr>
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Also for a long time I haven't been doing a formall
calligraphy, doing other workds, to keep the rhythm and consistency of the letters and keep
the letterforms even, an exercise that we did at the school when we
were learning calligraphy, write a book! There's not other intention
that keep the rhythm of writting, improve the letterforms and get
confidence on writting. So I've that I'm going to do it every morning
when I wake up and after lunch to write at least for half an hour. To do
that I've took a table, that will be ONLY for this book, so in that way
is going to be always ready for use. While at the other table I'll have the space for do the other work.<br />
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Today I'll finish to have a look at the pictures and works I did on 2008, and see if I find the innocence of those days.Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-79878535543575994712012-12-19T20:46:00.001+01:002013-01-29T14:54:38.096+01:00LANDSCAPES <div class="separator" style="clear: both; text-align: left;">
Today, I show you a video, that I did on a wonderful afternoon, on summer of 2012, at the lake of Banyoles, but till today hasn't been possible to edit the video.</div>
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I was all day working at my studio, with the hot temperatures of the summer, I must say that is not very comfortable do calligraphy on summer, at least on hot countries, now I understand why calligraphy, has kept more tradition at northern countries, maybe the temperature is a fact.</div>
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So like I was saying, tired of being closed at home, I called a good friend and photographer, Yurian Quintanas, that If he would like to come with me to do some calligraphy at the lake, at least was a fresh area, also plenty of mosquito, I set up the paper, I prepared the ink (Chinese sticking Ink) I've stack the paper on a non heavy wood, and let's go to the lake!</div>
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With no other intention that write in a fresh place, non a common place to do calligraphy, but it was a wonderful experience, and I think that this is not going to be the last time that I'll do calligraphy outside, maybe for the next time I will get more ready, about what to write, composition, colour, letterforms...<br />
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This time was just a trial, but be spontaneous is wonderful, isn't?</div>
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Tre Calligraphy & SIA Productions</div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/XrPfRDTvc00?feature=player_embedded' frameborder='0'></iframe></div>
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Where could be the next time? forest? sea? abandoned fabric? middle of the road?</div>
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Thanks!<br />
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Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-71032967108893023262012-12-12T14:53:00.000+01:002013-01-29T14:54:38.090+01:00A presto! Fossano, 3 months of Batarde Script and more.<br />
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I left Fossano, a piedmont city, that has given me hospitality to allow
me to study the manuscripts, and also have an another good experience,
I've been in other places before Italy, which I had good experience and I
still have some friends, but what I've lived here during this three
months and specially what I've learned has been wonderful.<br />
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To
Give thanks to the city, I did this wonderful piece, saying thanks for
all the hospitality that I've received during this time and also showing
the batarde script that I've learned. Not only me, the city has been pleased with me, as they explain on the newspapers. <a href="http://www.targatocn.it/2012/12/06/sommario/fossanese/leggi-notizia/argomenti/eventi/articolo/carles-gonzalez-lartista-spagnolo-che-ha-contagiato-la-citta-con-la-calligrafia-lascia-fossa.html">http://www.targatocn.it/2012/12/06/sommario/fossanese/leggi-notizia/argomenti/eventi/articolo/carles-gonzalez-lartista-spagnolo-che-ha-contagiato-la-citta-con-la-calligrafia-lascia-fossa.html</a><br />
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Also during this time I taught some calligraphy and with Luca Bedino we have wrote a book about the lettre batarde, called "conversations about the lettre batarde" which I will talk about the book on my next post. <br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinE35r7W1WKrEHSJc_NrdXgwxpd54r78VPqCjCum16h8SIdMmg9nTG24FGCXVFHhWadRie9ng4uMYnXykPX4ag86DxqOQaS-6Q5THWRMhLfK2Byd011K5o1H1ZNDiT8SiW2vJ7sZQqn_-m/s1600/fossano+tre+calligraphy1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlfzPG6hrX4EAA-JYtyC5r1EL9e2bh7di6s8X4MVfON1ddb-lLo7ygMCisX3dHlLsCLK1kvKans6GejhxjW6MmB4A3-AclRR5HGPvRZPvGfwjvtKm6Noil-y1NFrw1SP2lPcZeF637I_0o/s1600/fossano+tre+calligraphy2.jpg" height="213" title="Tre Calligraphy" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Detail of Batarde Script mixed with Italic Script</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinE35r7W1WKrEHSJc_NrdXgwxpd54r78VPqCjCum16h8SIdMmg9nTG24FGCXVFHhWadRie9ng4uMYnXykPX4ag86DxqOQaS-6Q5THWRMhLfK2Byd011K5o1H1ZNDiT8SiW2vJ7sZQqn_-m/s1600/fossano+tre+calligraphy1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinE35r7W1WKrEHSJc_NrdXgwxpd54r78VPqCjCum16h8SIdMmg9nTG24FGCXVFHhWadRie9ng4uMYnXykPX4ag86DxqOQaS-6Q5THWRMhLfK2Byd011K5o1H1ZNDiT8SiW2vJ7sZQqn_-m/s1600/fossano+tre+calligraphy1.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Detail of Batarde Script</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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And now, home sweet home, looking forward for new adventures that will feed my experience throught the calligraphy, "cleaning" the studio to get ready to explore and improve my calligraphy.<br />
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Have a good week! <br />
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HASTA LA VISTA FOSSANO!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfIiYaUz9KXgtwqhZSnvOSd8MY8EcTwnN2ASN2asurJZ2uItytSb-KVK0oDM3iXxD8ht7m5ugoISz1_BxKyY1caBMEXoFk6YN5uTJ6Z4DDwCSi1-ImGgqhoGhPdzwR7ELoXAgn41p9jTAa/s1600/fossano+tre+calligraphy3.jpg" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfIiYaUz9KXgtwqhZSnvOSd8MY8EcTwnN2ASN2asurJZ2uItytSb-KVK0oDM3iXxD8ht7m5ugoISz1_BxKyY1caBMEXoFk6YN5uTJ6Z4DDwCSi1-ImGgqhoGhPdzwR7ELoXAgn41p9jTAa/s1600/fossano+tre+calligraphy3.jpg" height="320" title="tre callgraphy" width="229" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">56x76cm Sticking ink color on watercolour paper.</td></tr>
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Carles, Tre Calligraphy 12-12-12
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<strong>LASCIATE OGNE SPERANZA, VOI CH'INTRATE by Dante, Inferno.</strong></div>
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<em>Leave any hope (expectation), do you want to come in?</em></div>
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Actually I didn't know this famous phrase before I had to write it on the wall, I really like it, and I'm very pleased with the finished result. Using acrylic paint and brush on the wall, the main problem was to get the proper thickness of the paint, which sometimes allows you to see the "brush stroke" which I really like it, before start to do the work I've asked how they wanted, the work in "black perfect letter" or a "letter which sometimes you can see the brush", they allowed me to leave the stroke of the brush.</div>
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The work, took me a while to be avaiable to center it properly, but finally I did it, and the last night before go to do it, I changed everything, the letter size, the name of the author I changed the colour, from red to grey, which really did worked properly. Because is not the same work on paper as a "framed paint" that work on a wall, that belongs to the whole house. And this last modifications worked really well.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh-N4JFjKtrEPR23drby3JWG0FLnjK_pPalgL9kRZ1D2iuDXIDslhpPujE6LsWuAhcJFIIULBAn0pUhehiVhOJ0C0jb47AVE-baqHZQFUMJFPx1WRczsmdOBP9MY26JLrqzOgRoq0pjMTl/s1600/DSC03149.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="trecalligraphy lasciate ogne speranza" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh-N4JFjKtrEPR23drby3JWG0FLnjK_pPalgL9kRZ1D2iuDXIDslhpPujE6LsWuAhcJFIIULBAn0pUhehiVhOJ0C0jb47AVE-baqHZQFUMJFPx1WRczsmdOBP9MY26JLrqzOgRoq0pjMTl/s1600/DSC03149.JPG" height="316" tea="true" title="tre calligraphy" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Carefull with the Cat! (I've changed a bit the colors to show better the grey text),</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEYcPXzsmgr6hxuv9jjsAWeuAzmfyFJuqCNTy0l4gjJ2Y1n7xzymoBuc29_Z1zTb9CbzKap4EnbsBQIDtsUPfL3jWdEzptIjL_jTwD0yix1GcXDeYV5goSvtr1guQI7tNgdjqXr9N_m-qm/s1600/DSC03153.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="tre calligraphy lasciate ogne speranza" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEYcPXzsmgr6hxuv9jjsAWeuAzmfyFJuqCNTy0l4gjJ2Y1n7xzymoBuc29_Z1zTb9CbzKap4EnbsBQIDtsUPfL3jWdEzptIjL_jTwD0yix1GcXDeYV5goSvtr1guQI7tNgdjqXr9N_m-qm/s1600/DSC03153.JPG" height="300" tea="true" title="tre calligraphy" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">How it works the grey text, which belongs to the text, but it wasn't the main thing of the work.<br />You don't see it at the first sight, you see it at the second, which this is what I wanted.</td></tr>
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I'm pleased with the result, and the owners of the house, very pleased.<br /><br />So all we happy! are you?</div>
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Tre Calligraphy - 2012 - November - Fossano.</div>
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Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com1tag:blogger.com,1999:blog-7441454793736488213.post-72801300787469048062012-11-21T11:20:00.002+01:002013-01-29T14:54:38.092+01:00PARATISSIMA 2012 meeting Enrique Moya and Giancarlo MarcarliCiao a tutti!<br />
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The post of today, is about the paratissima, an event done in Turin, where lots of artists show their work, wich for the next year I would like to apply to go and be one of them.<br />
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Paratissima! I met Enrique Moya Gonzalez and spanish artist which lives in Arezzo (Itali), because of my travel to Fossano which is not far from turin, we finally meet one each other, after long time! His work is amazing I really like it. Also I meet his friend, Giancarlo Marcali, who also was showing his work, very clever installations, amazing work done using the X-Ray, must to be seen, is difficult to explain it with words.<br />
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At first stage, Enrique asked me to do a possible performance at his show, but finally, the perform wasn't done, but not really, because I write all the names of his works on the wall using a pencil, and because we deceided this idea a bit later, when the doors were open, I was still doing the work. A really nice experience, work with pencil on a wall, is gives you a nice feeling.... (The last time I did pencil on a wall was to many years ago, maybe when I was just a babe or at the school)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigKLztTsXbue8iWmkJbPDsMTTIi-NHEFTi6QOUTL_37NEfOLu_hL5AFmYD4otf8vnrPMORQYRB0e0_mM9317oIwyHmupB7W0sNQ5HrzxitVvcEt8ZoilF2VWZ7Xho1ULGuNNqpEJIDVrJj/s1600/IMG_1390.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="carles gonzalez" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigKLztTsXbue8iWmkJbPDsMTTIi-NHEFTi6QOUTL_37NEfOLu_hL5AFmYD4otf8vnrPMORQYRB0e0_mM9317oIwyHmupB7W0sNQ5HrzxitVvcEt8ZoilF2VWZ7Xho1ULGuNNqpEJIDVrJj/s1600/IMG_1390.JPG" height="240" rea="true" title="tre calligraphy" width="320" /></a></div>
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Also I collaborated on his video installation, that Enrique, covered using Aquari Paper, that I wrote on it using a flat brush with red. <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3n0GZSsdRPPo8h4Al-BzIv_SO7_LVzkjAROUp35stZaa7IehE1aVTHFJRTPl2uHK7iBh9QH-pJIcaHJDnIYZn4_l1gMbcJ1zee1FvoscvK-47qaECmTX-aCd05FT9HOqGdhU5XC_D3zf/s1600/IMG_1395.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="aquari paper, enrique moya, tre calligraphy, batarda" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3n0GZSsdRPPo8h4Al-BzIv_SO7_LVzkjAROUp35stZaa7IehE1aVTHFJRTPl2uHK7iBh9QH-pJIcaHJDnIYZn4_l1gMbcJ1zee1FvoscvK-47qaECmTX-aCd05FT9HOqGdhU5XC_D3zf/s1600/IMG_1395.JPG" height="240" rea="true" title="tre calligraphy" width="320" /></a></div>
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More news cooming soon, wish me luck that for next year I could be performing at Paratissima 2013.</div>
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Tre.Calligraphy.</div>
Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com1tag:blogger.com,1999:blog-7441454793736488213.post-67536281763772143312012-11-13T12:09:00.002+01:002013-01-29T14:54:38.088+01:00El casament (the wedding)The post of today, is about a wedding job (not a commission) That I've did very proud to my Friends PD&MM. Who are getting married, my first friend who's getting married! Who's going to be the next... I see that far away... there's not a prediction for this king of things.<br />
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The funny thing of this work, is that I've did it in the distance, I'm in Italy, they are in Catalonia, Spain, and the surprise too see the pictures on my mailbox, of a work that I've done, that has been printed somewhere else, and becoming an envelope. I'm happy with the result, I did scan the picture, I had no chance to use photoshop (to have some colour control) I was worried, about the quality of the picture for printing, but, it seems that has been done successful.<br /><br />Actually I like to do the work, talking with the "costumer" in front of them, and discuss, make the samples, ask what they want, what they are looking for, what they are expecting.... Once I get all the information, I put my imagination and I work. Because at the end this work, is not for me, is for them, so them must to be happy with the result, but also me, I must to be happy with the result, I can't finish a work that I dislike.<br />
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<em>I do work with passion, I'm not a machine, Do you?</em></div>
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I've used, a foundational round hand (my one), and an Italic version, which has a far away feeling of the Glamorous script called Copperplate, but is not a Copperplate, could have something similar by the thick and things, but is an Italic Script. My own version for this case.<br />
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Have a nice week!</div>
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PD: If someone is getting married and wants something original, just contact me ;)</div>
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PD&MM Molti Auguri! Fins aviat!</div>
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Tre Calligraphy.</div>
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Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-8238159082326704152012-10-30T18:17:00.000+01:002013-01-29T14:54:38.098+01:00DUT - PETROLIA ERE<div style="clear: both; text-align: left;">
Hi!</div>
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Last night I've discovered this poem insight this song (you may like the song or not) is Spanish, but the words are incredible, using the metaphor of the dessert, the sea, the stars, and the eco sound of 300.000 pesetas, explains the suffering of the emigration, that does it by the sea, paying to the mafias a high amount of money for a non save trip.</div>
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What else wonderful to practice, to write something that you really like, and at the same time you can use it as an exercise to improve your writing, your calligraphy skills, in that case the batarde script.</div>
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I attach here the song (is in spanish, I don't feel brave enough to do the translation, you can do it using the translator) here's the song <a href="http://www.youtube.com/watch?v=e18mLvwfzEA">http://www.youtube.com/watch?v=e18mLvwfzEA</a> the poem starts at minute 3:15.</div>
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Petrolioa ere etorkina da,<br _extended="true" />baina hauxe ez da pateran iritsi. <br _extended="true" />Giza-baloreen burtsan kotizatzen ez dutenak zer? <br _extended="true" /><br _extended="true" />Hay un abismo donde habia un estrecho.<br _extended="true" /><br _extended="true" />Gasolindegi argitan,<br _extended="true" />irrifarreak iragarkitan. <br _extended="true" />Hilotzak hotzak hondartzan<br _extended="true" />ahazturaren ilargitan. <br _extended="true" /><br _extended="true" />Itsas-artean heriotz zuloa.<br _extended="true" /><br _extended="true" />300.000 pesetas<br _extended="true" /><br _extended="true" />lo que es tierra fue mar en el desierto que bosque fue<br _extended="true" />nosotros islas vagabundas <br _extended="true" />en un mar que ya no es libre<br _extended="true" />vándalos entre los desechos de Al-Andalus. <br _extended="true" /><br _extended="true" />300.000 pesetas<br _extended="true" /><br _extended="true" />no quiero morir sin haber vivido<br _extended="true" />llegar lo más lejos que me sea posible y mirar;<br _extended="true" />eso quiero, mirar hacia delante...<br _extended="true" />las estrellas nacen en el corazón del desierto<br _extended="true" />el sol me lo enseñó <br _extended="true" />camino del Jebel Sahro<br _extended="true" />el tesoro está escondido tras los ojos de un niño <br _extended="true" /><br _extended="true" />300.000 pesetas<br _extended="true" /><br _extended="true" />no veré como desaparecen las ovejas<br _extended="true" />ni estaré allí cuando para siempre no llueva<br _extended="true" />mírame hombre blanco, míralo todo<br _extended="true" />y entierra tus armas de fuego en el sereno silencio<br _extended="true" />del gran bosque de la noche<br _extended="true" /><br _extended="true" />no es la primera vez que hago este viaje.<br _extended="true" />nunca es igual.<br _extended="true" />quería que mis hermanos me viesen. <br _extended="true" />ellos también pueden intentarlo.<br _extended="true" /><br _extended="true" />dios no escucha todo el tiempo. <br _extended="true" />dios también duerme<br _extended="true" />y su sueño es nuestro olvido, nuestra libertad<br _extended="true" /><br _extended="true" />300.000 pesetas<br _extended="true" /><br _extended="true" />el viento nos llevará cuando seamos olas<br _extended="true" />no queda ninguna razón para matar<br _extended="true" />todas han muerto<br _extended="true" />moriremos en el mar porque del mar venimos<br _extended="true" />alguien las encuentra siempre y nacen de nuevo<br _extended="true" /><br _extended="true" />no soy nadie. mi voz no escribe<br _extended="true" /><br _extended="true" />en nuestro corto viaje ni siquiera hemos aprendido <br _extended="true" />a salir de casa.<br _extended="true" /><br _extended="true" />300.000 pesetas<br _extended="true" /><br _extended="true" />el estrecho se hace gigante. <br _extended="true" />el ruido del motor parece querer ahogar <br _extended="true" />todos los pensamientos...sólo consigue mecerlos <br _extended="true" />sobre el oscuro horizonte.<br _extended="true" />en permanente huida merodeamos <br _extended="true" />(como islas vagabundas)<br _extended="true" />trozos de un naufragio en las ciudades sin sueño<br _extended="true" /><br _extended="true" />luces en la noche <br _extended="true" />reflejos azules sobre las aguas negras<br _extended="true" />estamos perdidos en cualquier lugar<br _extended="true" />nuestros nombres perdieron su sentido<br _extended="true" /><br _extended="true" />luces en la noche <br _extended="true" />la costa está cerca <br _extended="true" />la costa nunca llega<br _extended="true" />seré fuerte hasta que llegue mi momento<br _extended="true" />ahora sé algo sobre la vida en ese lado<br _extended="true" />hay más estrechos haciéndose abismales<br _extended="true" />somos tan pequeños... como los granos de arena del desierto,<br _extended="true" />del desierto que fue mar<br _extended="true" /><br _extended="true" />Alhucemas - El Morche...<br _extended="true" />Tánger - Algeciras...<br _extended="true" />Tirana - Bari...<br _extended="true" />La Habana - Miami...<br _extended="true" />Belgrado - Berlin...<br _extended="true" />El Paso - Las Cruces...<br _extended="true" />Grozni - Beirut...<br _extended="true" />Nogales - Tucson...</div>
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<tr><td style="text-align: center;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEfK4-OYe1AqT5e7aUJynRiAIPNdECIuFONSJTPP8g3Ji1oaC0WunSU8w-tI6TJ5hUS_T5swFbvdH4gVvWj1thOl7NIiRYBVM8pj0qQ6FDVN-yRHglpK7G06Bihb4wKMghOVR89Fz2Bemn/s1600/DSC03022.JPG" height="200" qea="true" style="margin-left: auto; margin-right: auto;" title="Tre calligraphy" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dut - Petrolia ere</td></tr>
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Hasta la proxima!</div>
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Tre Calligraphy</div>
Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-14872833751681525812012-10-29T18:09:00.000+01:002013-01-29T14:54:38.081+01:00l'Oltre l'Ade / Memento MoriHello!<br />
<br />
I had a "break" on my batarde studies, setting up the event of "l'Oltre l'Ade" with Luca Bedino, a great friend, Paleographer and the archivist of the Historic Archive of Fossano. If I'm writing about that, I could say, that is thanks him.<br />
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I said a break with the batarde, actually yes during this week, but I had a performance for this event, two, one inside a church, and the other one at the Castle of Alcaia, where I did use the batarde script, using a proper quill that I cutted for the event (lucky me, that it worked) and the quill worked well.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNVpsIYRnbfDnjXmIXYKmFNix3TO9p0LN2K1A7hDscXIhN1AcQ-uYnxEqBDKeRV9HlcvkbmhO1X7vVnFMi9vyWwIE2jQvQP-m740TXtLvViGUIUCNoTcuoiXu-XmxXraExdAC0-DJTeTdN/s1600/DSC03015.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNVpsIYRnbfDnjXmIXYKmFNix3TO9p0LN2K1A7hDscXIhN1AcQ-uYnxEqBDKeRV9HlcvkbmhO1X7vVnFMi9vyWwIE2jQvQP-m740TXtLvViGUIUCNoTcuoiXu-XmxXraExdAC0-DJTeTdN/s1600/DSC03015.JPG" height="300" qea="true" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Detail</td></tr>
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I set up a ruled up paper, to leave above the paper to write, to follow the lanes, but actually I couldn't see the lanes, so I gave up and just I kept writing, and not bad the result, as my teacher Ewan Clayton told me once, - a good calligrapher has to be avaiable to write without lanes - At the beggining I did not felt save writing without lanes, but then just allowed myself to keep going and happy about that! and also happy with the result of the batarda script, for first time I saw that this batarde had the same feeling as the manuscripts I've been studying, maybe is because I wrote it, without lanes and this helped to "destroy" the perfection.</div>
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Here some other pictures of the performance, look how I was dressed!</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmMcZ_i8J6WnKy7zZNCPfJGn5V8uUyn4kl_QValUe-4fvekNfpzv2g4fPyp6h1g-7lBdyf5lONV4ZNIyA9-TShLthpRf0vPX0FR8Le35gNDJh4mVgOmkdwqvdsxr5SL4jaVZ6_5S2My-h/s1600/foto1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmMcZ_i8J6WnKy7zZNCPfJGn5V8uUyn4kl_QValUe-4fvekNfpzv2g4fPyp6h1g-7lBdyf5lONV4ZNIyA9-TShLthpRf0vPX0FR8Le35gNDJh4mVgOmkdwqvdsxr5SL4jaVZ6_5S2My-h/s1600/foto1.JPG" height="320" qea="true" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Writing....</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzUCzuIvpKXk_MbyUKa4zQrKsn6M8NxAp7IaCPH60NXkokoxvgBtCOv8Ze6JuCslGXGF_IjyojSndekosIJAtKJ27I29OEGuW7kvIhlWcZYEAKamqQ5BmIckxxl8Oogp_qkHoA_lpAT-T/s1600/foto5quill.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzUCzuIvpKXk_MbyUKa4zQrKsn6M8NxAp7IaCPH60NXkokoxvgBtCOv8Ze6JuCslGXGF_IjyojSndekosIJAtKJ27I29OEGuW7kvIhlWcZYEAKamqQ5BmIckxxl8Oogp_qkHoA_lpAT-T/s1600/foto5quill.jpg" height="320" qea="true" width="204" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sharping the quill, the last cut!</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTHqY-CjmP6RHvbCXEjfeEO0O3QUZZ4HJaxOaZIu30YGAgUPuljzo1uwYuH-a-uDBJfVbseRszIEY1Y7LT3ND-2_LFlGQB4yQg6jHyraD3c-gKkaFHq_sIqemH2faM658UiRWPw7Hj29W6/s1600/foto7.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTHqY-CjmP6RHvbCXEjfeEO0O3QUZZ4HJaxOaZIu30YGAgUPuljzo1uwYuH-a-uDBJfVbseRszIEY1Y7LT3ND-2_LFlGQB4yQg6jHyraD3c-gKkaFHq_sIqemH2faM658UiRWPw7Hj29W6/s1600/foto7.JPG" height="320" qea="true" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">At the curch (Now I can say that I've been writing where the priest does the function) </td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn46fZL05Pp_4nrKGs0dsDZHv_IBK6todg4K4NxeXxnlrS-FMXoYsGoakYzMDG3K983tyiJNxEyL4Y66w6eLo1boESGTa-G-Xnh8mI_fN5TeD6zd9pumhJnqhDwXSUavP67QX6HbRqG8DN/s1600/DSC03013.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn46fZL05Pp_4nrKGs0dsDZHv_IBK6todg4K4NxeXxnlrS-FMXoYsGoakYzMDG3K983tyiJNxEyL4Y66w6eLo1boESGTa-G-Xnh8mI_fN5TeD6zd9pumhJnqhDwXSUavP67QX6HbRqG8DN/s1600/DSC03013.JPG" height="240" qea="true" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUkoBSly4xjYLHjYzjoTFtlRs_7jj2KfgHpmN6a9YxALwfJQypijWorHWRW43YUZh-BPLSLTVsf1iWSyvc0_OiZ614HkmDdRg4-irg1afJvvcCgQZwB7ScmlOeqm7cgDMNE_Nq2PW48t-E/s1600/DSC03018.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUkoBSly4xjYLHjYzjoTFtlRs_7jj2KfgHpmN6a9YxALwfJQypijWorHWRW43YUZh-BPLSLTVsf1iWSyvc0_OiZ614HkmDdRg4-irg1afJvvcCgQZwB7ScmlOeqm7cgDMNE_Nq2PW48t-E/s1600/DSC03018.JPG" height="320" qea="true" width="240" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxqHf9BFCbn_xpeuIMrU24uNYNkUdQgU_EItYdeqMqT-l7ikHIhMU4TcJBmpC3yqd84k9lDDpd-fF1wdIJUieucPujSI4ymBdprGd5_MX4rKNofxmAZCaFirVnciLLZyU3pdUV65e0VNn/s1600/DSC03021.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxqHf9BFCbn_xpeuIMrU24uNYNkUdQgU_EItYdeqMqT-l7ikHIhMU4TcJBmpC3yqd84k9lDDpd-fF1wdIJUieucPujSI4ymBdprGd5_MX4rKNofxmAZCaFirVnciLLZyU3pdUV65e0VNn/s1600/DSC03021.JPG" height="320" qea="true" width="240" /></a></div>
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Those were some pictures that I could pick up from the event, and here I show you some other pictures about work that I did for the event. </div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_qBOCXyG4UBZNLGRZEsKO02LONjO83Y40xhFCsWxoT2i8TZYeGxp2pI9VlXBfWnOda5b3OxDvGR6U7SuvhfQ_ZXeRLMVKtOjDOdM_xSAV1IMyNn9q3QGO3cxXyRzVFapuQO-2-zbcSzd/s1600/DSC03012.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_qBOCXyG4UBZNLGRZEsKO02LONjO83Y40xhFCsWxoT2i8TZYeGxp2pI9VlXBfWnOda5b3OxDvGR6U7SuvhfQ_ZXeRLMVKtOjDOdM_xSAV1IMyNn9q3QGO3cxXyRzVFapuQO-2-zbcSzd/s1600/DSC03012.JPG" height="240" qea="true" title="SIC TRANSIT GLORIA MUNDI" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sic Transit Gloria Mundi</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5k3DqL7kLa0TT8bmYqADuzc_IIZcTwVjqVybU4UZGkTG3wjAxN5w_o4qN04DRrGOfbG2U-NWRlRds6VAje0pTV-f8P1bXNfZKRxtbyZ-tmtuwM5EKsJpApzNDXXoD4aysmFXf_HJEGZX_/s1600/DSC03008.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5k3DqL7kLa0TT8bmYqADuzc_IIZcTwVjqVybU4UZGkTG3wjAxN5w_o4qN04DRrGOfbG2U-NWRlRds6VAje0pTV-f8P1bXNfZKRxtbyZ-tmtuwM5EKsJpApzNDXXoD4aysmFXf_HJEGZX_/s1600/DSC03008.JPG" height="320" qea="true" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vanitas Vanitatum Omnium Vanitas, this was above the "death" but I had no chance to take the picture, now is above this wonderful head ;)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqVfMWLKX-nT3RYSMbhzKB9BgQlmNJ27jH3dKb8QAsgCWX1a2hk4oyBEuW6k_6vsubSU0Dse5ewhxfTucvzX96CCiSZkzPqk5bRMRpWjH-B3gRhDkff-DDVSaTx8SrIYAKJmlwCcO2XoJ_/s1600/DSC02951.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqVfMWLKX-nT3RYSMbhzKB9BgQlmNJ27jH3dKb8QAsgCWX1a2hk4oyBEuW6k_6vsubSU0Dse5ewhxfTucvzX96CCiSZkzPqk5bRMRpWjH-B3gRhDkff-DDVSaTx8SrIYAKJmlwCcO2XoJ_/s1600/DSC02951.JPG" height="320" qea="true" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The explanation of the performance, was called Memento Mori</td></tr>
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And well, that's all for now, today I've been cleaning all the event, and tomorrow... I'll continue with the batarde script!</div>
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Ci vediamo! </div>
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Carles Gonzalez, Tre Calligraphy from Fossano!</div>
Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-38083092738465518232012-10-19T18:46:00.001+02:002012-10-22T17:51:47.839+02:00Hi!<br />
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After some days struggling with some other documents of Batarde Script, most of them written really fast, and getting really confused, because, each scribe did it as they pleased to do it. (that's the beauty of any script called Batarde is not like this is not like that). I did some trials, trying to write fast, actually some good forms showed up, looking forward to apply this on my personal work.<br />
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As I was saying, I decided to just keep writing, I did a book A4 size and I've been writing, today Friday I've finish it (just 10 pages) and starting an another one for the following week. For this week I've choosed a text of Eduardo Galeano, called THE RIGHT TO DREAM. once I finish to write that, I guess that I will continue with Eduardo Galeano, I like his words.<br />
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During this week also I've been applying some Batarde script on a box, for the even of the 27th of October, where I will also perform, I'll post the pictures after the event, once everything is finished and placed.<br />
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I attach the pictures of the first "book" and some samples of "my free gestural batarde" and the first page of Eduardo Galeano that I've just just finished to write.<br />
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Have a nice weekend! Tomorrow the calligraphy course, which I'll have 5 new students! Seems that they enjoyed the first lesson and they are going to bring some friends at the course!<br />
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Ci vediamo!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnTfsAsjyOcw1VMCjDfV12Rrd30LPI3nNT5SKhde7Oj1VrfZgeJbF69CG2PNXV6SZx4qV4MWKSdXj45GSbHGRstEVskRRc3MVHOWwZE8t-gHm7bVlEJY7Ea-7dWXN7R1cUsGbmV6CxgMTp/s1600/DSC02937.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" nea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnTfsAsjyOcw1VMCjDfV12Rrd30LPI3nNT5SKhde7Oj1VrfZgeJbF69CG2PNXV6SZx4qV4MWKSdXj45GSbHGRstEVskRRc3MVHOWwZE8t-gHm7bVlEJY7Ea-7dWXN7R1cUsGbmV6CxgMTp/s1600/DSC02937.JPG" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Detail of the page of Eduardo Galeano</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBuDesebXj8Gtt-iIFIZDvxxb7Gs1z-MX5hQPUWXYpAupFEPmpISVOnfMTlfx5HDsz8ZN_oJybMKSesIxWimykE8-0Fm5m8QhQ4Mf-YxxnPujlMOTOCZAr7pyeM92jVYG_-BLwhoeZpVFx/s1600/DSC02936.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="412" nea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBuDesebXj8Gtt-iIFIZDvxxb7Gs1z-MX5hQPUWXYpAupFEPmpISVOnfMTlfx5HDsz8ZN_oJybMKSesIxWimykE8-0Fm5m8QhQ4Mf-YxxnPujlMOTOCZAr7pyeM92jVYG_-BLwhoeZpVFx/s1600/DSC02936.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">On the left side the book of this week, and on the right side the page of Eduardo Galeano</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">text of Eduardo Galeano</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhayo_U6sAi-SqKKC87HZM4X09BzP6kCDqs4XQNwFpgpAyOeUokRv-qOBM6Aok3RsY9pLuLaFwdN5HJP5M6D519ALX9_1rbDebSdoFG8drmi2hzh1VIuRvt8-nM0AdT8TjRbxaPHiCRPbIF/s1600/DSC02942.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" nea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhayo_U6sAi-SqKKC87HZM4X09BzP6kCDqs4XQNwFpgpAyOeUokRv-qOBM6Aok3RsY9pLuLaFwdN5HJP5M6D519ALX9_1rbDebSdoFG8drmi2hzh1VIuRvt8-nM0AdT8TjRbxaPHiCRPbIF/s1600/DSC02942.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gestual Batarde "SOLO LOS PECES MUERTOS SIGUEN LA CORRIENTE Y YO UNA MALA BATARDA"</td></tr>
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Tre<br />
<br />Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-31540214729553885012012-10-16T09:29:00.001+02:002012-11-23T12:28:53.306+01:00<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzaYclMi_Urqi3xss72o4uFdMStJdqRg7E6GlZfeSoiXCJkAxyFQPTdydXYjlscFbXKLwu6wHUPgLQiTTB5kViMU6YSlVJv0r8U_P-sl8mpoRSj2oG7siph4P8bKkIGwiSUvmzXDt38d5w/s1600/DSC02890.JPG" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>Well... Is good to be formal, and follow everything step by step.</div>
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Yesterday it wasn't a good day, and like I love to do, is just allow my self to do it free, and here's the result. a "free gestual batarde" and a "formal batarde"</div>
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It was a horrible day, even I had problems to make the ink flow. was a metal nib.</div>
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Today with a proper quill.</div>
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All the best.</div>
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Tre</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi31L_XW-R7ZKjPonoA2lVgw9p82H8YGeP5c1uuaDIBBIH529mqFOXRyuIV7PjcTYMzqTx0mF6k48oHzbs8VjLG0yUt3jV4VyzNk-DFyB9g_JwoLoCwgcNjyv6n5AfVVbAtXjVIJ1buMkco/s1600/DSC02891.JPG" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="tre calligraphy" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi31L_XW-R7ZKjPonoA2lVgw9p82H8YGeP5c1uuaDIBBIH529mqFOXRyuIV7PjcTYMzqTx0mF6k48oHzbs8VjLG0yUt3jV4VyzNk-DFyB9g_JwoLoCwgcNjyv6n5AfVVbAtXjVIJ1buMkco/s1600/DSC02891.JPG" height="480" nea="true" title="tre calligraphy" width="640" /></a></div>
Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-13586520638888854682012-10-12T18:37:00.001+02:002013-01-29T14:54:38.079+01:00The beauty and the mess of the Batarde.<br />
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The Batarde script, actually better to say, the Batarde handwriting, all documents I've seen are different, first I attached to one "formal" writing, the one I've learnt the proprieties of this handwriting, the writing was very constant. (last post). But now that I'm looking forward at more handwriting Batarde scripts, some are written straight, and not with a -30 degrees of slant, and now seems to be straight, some endings of S,F and s at then en of word sometimes finish with a dot, sometimes straight, sometimes oval, and like the early writings with a stroke, like if it was a flag. who knows, the scribe liked to have fun while was writing or it depends how they felt! who knows there are no videos on youtube of them.</div>
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<strong>.</strong></div>
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<em>Is a wonderful script to write, and has a lovely composition, lovely for read.</em></div>
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<em>In my opinion is an honest script, has all the beauty without make-up.</em></div>
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<strong>.</strong></div>
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And tomorrow starts the calligraphy course that I'm going to do here in Fossano, I hope that the students will enjoy the class, I'll try my best. as usual.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi0bx-1EEbupqswNBnWUhWClQEsrNpb7WhQT2QKs_0JgK8MbT0CK8yPcZWNI05AgCl9DQwvLgyFJz2rSW1jdPuu1hZGexAzfURIcOwMdku4r9nxpk8YpE3hymU1o28Q7QgnWhCUKFi9Ua-/s1600/DSC02887.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="tre calligraphy" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi0bx-1EEbupqswNBnWUhWClQEsrNpb7WhQT2QKs_0JgK8MbT0CK8yPcZWNI05AgCl9DQwvLgyFJz2rSW1jdPuu1hZGexAzfURIcOwMdku4r9nxpk8YpE3hymU1o28Q7QgnWhCUKFi9Ua-/s400/DSC02887.JPG" height="300" nea="true" title="tre calligraphy" width="400" /></a></td></tr>
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And here I show you on this picture all my trials, all done with metal nib, I brought the quills back and well, what to say, with a quill is much much better!</div>
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Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0tag:blogger.com,1999:blog-7441454793736488213.post-60084557461609796962012-10-11T15:51:00.000+02:002013-01-29T14:54:38.087+01:00La BatardeLa Batarde,<br />
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A wonderful script, and non well know script which I think it's very personal and unique for any of the scribes who used to do it, all the documents I've seen until now in a period of 100 years. from 1405 till 1498. All have the same feeling, the same "letter form" but all with a different personality. Of course the early writing are a bit close to the Gothic and with the past of the years La Batarde becomes more Batarde losing the familiarity with any Gothic script. <br />
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A quick script, and wonderful to write, this is just the beginning, the first samples after I've been doing all the analysis of one concrete letter, sent by Philipus dux di Savoia, dated from 1497 approx. If I am not wrong.<br />
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Next step is try to write this script more freely, letting the flow to connect each letter, trying to write as a normal "handwriting" like they used to do.<br />
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Anonymoushttp://www.blogger.com/profile/05939170151584718049noreply@blogger.com0